Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly Explained |
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Pagina 55
For example , in the third line from the close of the radio scene printed above , the script writer has indicated that Tom is at a slight distance from the ... Contrasted with stage plays , lines for radio dramas must be overwritten ...
For example , in the third line from the close of the radio scene printed above , the script writer has indicated that Tom is at a slight distance from the ... Contrasted with stage plays , lines for radio dramas must be overwritten ...
Pagina 239
The lines are natural but fast moving and “ brittle ” — the sort of conversation really clever people might develop if all of them happened to think of the lines at the precise moment . “ High comedy " is exaggerated , of course — as ...
The lines are natural but fast moving and “ brittle ” — the sort of conversation really clever people might develop if all of them happened to think of the lines at the precise moment . “ High comedy " is exaggerated , of course — as ...
Pagina 243
In this form , short , simple sketches are used , in which the important lines have a double meaning . The sketch attempts to make listeners believe a certain set of actions is being portrayed , whereas in fact an entirely different set ...
In this form , short , simple sketches are used , in which the important lines have a double meaning . The sketch attempts to make listeners believe a certain set of actions is being portrayed , whereas in fact an entirely different set ...
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Sommario
CHAPTER | 1 |
THE MECHANICS OF Radio DRAMA | 30 |
THE ORIGINAL RADIO DRAMA | 57 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors adaptation advertising ANNOUNCER appeal ATWOOD audience Aunt Jane Banks basic broadcast called Captain cast Chapter characters close comedy commercial credits complete continuity Cooper course create dialogue direction director discussed door educational effective electricity elements established experience fact FADING field fire give hear heard HOLMES idea important interest light lines listeners living look material means medium microphone mind minutes Miss natural never novel opening original particular performance personality Peter planning play plot political prepared presentation radio drama radio writer requires ring river rule scene script selected setting sound sound-effects speech sponsor stage stations story studio successful sure Susan talk tell thing Thomas tion Uncas usually voice week written young