Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly ExplainedLongmans, Green and Company, 1938 - 308 pagine |
Dall'interno del libro
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Pagina 280
... performance embodies the greatest portion of the human ele- ment of the program . An incapable cast can ruin an excel- lent script under anyone's direction . On the other hand , a cast of outstanding ability under a good director can ...
... performance embodies the greatest portion of the human ele- ment of the program . An incapable cast can ruin an excel- lent script under anyone's direction . On the other hand , a cast of outstanding ability under a good director can ...
Pagina 282
... performance of those par- ticular portions . No rules can be laid down regarding the number of times a dramatic script should be rehearsed or the total length of rehearsal time that will be necessary . These factors depend to a great ...
... performance of those par- ticular portions . No rules can be laid down regarding the number of times a dramatic script should be rehearsed or the total length of rehearsal time that will be necessary . These factors depend to a great ...
Pagina 283
... performance to the point where it will sound hurried and unnatural on the air . The " dress " or final rehearsal is a complete performance of the script , exactly as though it were on the air . During this rehearsal , the director is ...
... performance to the point where it will sound hurried and unnatural on the air . The " dress " or final rehearsal is a complete performance of the script , exactly as though it were on the air . During this rehearsal , the director is ...
Sommario
2 CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
THE MECHANICS OF RADIO Drama | 3 |
THE ORIGINAL RADIO DRAMA | 4 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors AD LIB adaptation advertising Alice ANNOUNCER appeal ATWOOD audience Aunt Jane basic Big Ben Chime Blake boarding house broadcasting company CALDWELL Captain Cavalcade of America Chapter characters CHIEF CHASE Chime Alarm Chingachgook comedy commercial credits Cooper CORA Dan McCarthy dialogue door DORIS dramatic programs effective electricity entertainment fact FADING FARADAY fire forms of presentation FRANKLIN GALVANI GOLIGHTLY grams guests half-hour HAWKEYE hear heard HEYWARD HOLMES idea important interest interview James Fenimore Cooper Jim Stebbins Jimmy Magua material medium microphone Miss McDonald musical program narrator National Broadcasting Company novel ORCHESTRA personality Peter Pettigrew plot radio director radio drama radio dramatist radio program radio writer rehearsal ring river scene serial sound sound-effects speech SPIER sponsor Sport stations story studio successful Susan talk tell Thales theme Thomas tion Uncas voice WHISPER written
Informazioni bibliografiche
| Titolo | Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly Explained |
| Autori | Katharine Seymour, John Tilden Waite Martin |
| Editore | Longmans, Green and Company, 1938 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 24 ott 2007 |
| Lunghezza | 308 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |