Aesthetic as Science of Expression and General LinguisticLibrary of Alexandria, 28 set 2020 - 503 pagine |
Dall'interno del libro
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... consciousness. These are intuitions, which we possess, and with their making, space and time have nothing to do. In ... conscious of temporal sequence while listening to a story or a piece of music? That which intuition reveals in a work ...
... consciousness. These are intuitions, which we possess, and with their making, space and time have nothing to do. In ... conscious of temporal sequence while listening to a story or a piece of music? That which intuition reveals in a work ...
Pagina
... conscious recollection, and in that case is evident the absurdity of wishing to join together in memory elements which are not intuified, distinguished, possessed in some way by the spirit and produced by consciousness: or it is ...
... conscious recollection, and in that case is evident the absurdity of wishing to join together in memory elements which are not intuified, distinguished, possessed in some way by the spirit and produced by consciousness: or it is ...
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... conscious; otherwise it would be blind mechanism. The only thing that may be wanting to the artistic genius is the reflective consciousness, the superadded consciousness of the historian or critic, which is not essential to artistic ...
... conscious; otherwise it would be blind mechanism. The only thing that may be wanting to the artistic genius is the reflective consciousness, the superadded consciousness of the historian or critic, which is not essential to artistic ...
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Sommario
VI THEORETIC AND PRACTICAL ACTIVITY | |
VII ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL | |
XI CRITIQUE OF AESTHETIC HEDONISM | |
XII THE AESTHETIC OF THE SYMPATHETIC AND PSEUDOAESTHETIC CONCEPTS | |
XIII THE SOCALLED PHYSICALLY BEAUTIFUL IN NATURE AND ART | |
XIV MISTAKES ARISING FROM THE CONFUSION BETWEEN PHYSIC AND AESTHETIC | |
XV THE ACTIVITY OF EXTERNALIZATION TECHNIQUE AND THE THEORY OF THE ARTS | |
XVI TASTE AND THE REPRODUCTION OF ART | |
XVII THE HISTORY OF LITERATURE AND ART | |
XVIII CONCLUSION IDENTITY OF LINGUISTIC AND AESTHETIC | |
VIII EXCLUSION OF OTHER SPIRITUAL FORMS | |
IX INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC | |
X AESTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE UGLY AND THE BEAUTIFUL | |
HISTORICAL SUMMARY | |
APPENDIX | |
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2017 |
Parole e frasi comuni
abstract action admit aesthetic activity aesthetic fact aestheticians affirmation already altogether appear Aristotle artistic and literary associationism Baumgarten beautiful Benedetto Croce called century colours comic complete concept concrete confusion consciousness criticism Critique Critique of Judgment Croce definition distinction doctrine economic empirical empiricism error ethical exist expression external fancy feeling genius hedonism hedonistic Hegel Herbart Hippias major human ideal ideas imagination imitation impressions individual intellectual intellectualist intuitive knowledge Italian judgment Kant knowledge language laws Leibnitz less Linguistic logical looked lyric means metaphysical moral natural sciences Neo-platonism noumenon object painting perfect philosophy physical Plato pleasure Plotinus poet poetic poetry possess practical activity problem production propositions psychology pure intuition reality reason represent representation reproduction Sanctis Schelling Schleiermacher Schopenhauer scientific sensation sense Solger soul spirit spiritual activity taste theoretic things thought true truth ugly unity universal Vico Winckelmann word writers