Aesthetic as Science of Expression and General LinguisticLibrary of Alexandria, 28 set 2020 - 503 pagine |
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Pagina
... in 1900 in the form of a communication to the Accademia Pontiana of Naples, vol. xxx. The first edition is dated 1902, the second 1904 (Palermo). I. INTUITION AND EXPRESSION Intuitive knowledge. Human knowledge has two.
... in 1900 in the form of a communication to the Accademia Pontiana of Naples, vol. xxx. The first edition is dated 1902, the second 1904 (Palermo). I. INTUITION AND EXPRESSION Intuitive knowledge. Human knowledge has two.
Pagina
Benedetto Croce. I. INTUITION. AND. EXPRESSION. Intuitive knowledge. Human knowledge has two forms: it is either intuitive knowledge or logical knowledge; knowledge obtained through the imagination or knowledge obtained through the ...
Benedetto Croce. I. INTUITION. AND. EXPRESSION. Intuitive knowledge. Human knowledge has two forms: it is either intuitive knowledge or logical knowledge; knowledge obtained through the imagination or knowledge obtained through the ...
Pagina
... knowledge. Now, the first point to be firmly fixed in the mind is that intuitive knowledge has no need of a master, nor to lean upon any one; she does not need to borrow the eyes of others, for she has most excellent eyes of her own ...
... knowledge. Now, the first point to be firmly fixed in the mind is that intuitive knowledge has no need of a master, nor to lean upon any one; she does not need to borrow the eyes of others, for she has most excellent eyes of her own ...
Pagina
... knowledge of actual reality, the apprehension of something as real. Certainly perception is intuition: the perception of the room in which I am writing, of the ink-bottle and paper that are before me, of the pen I am using, of the ...
... knowledge of actual reality, the apprehension of something as real. Certainly perception is intuition: the perception of the room in which I am writing, of the ink-bottle and paper that are before me, of the pen I am using, of the ...
Pagina
... knowledge of things in their concretion and individuality? Intuition and sensation. Having thus freed intuitive knowledge from any suggestion of intellectualism and from every posterior and external adjunct, we must now make clear and ...
... knowledge of things in their concretion and individuality? Intuition and sensation. Having thus freed intuitive knowledge from any suggestion of intellectualism and from every posterior and external adjunct, we must now make clear and ...
Sommario
VI THEORETIC AND PRACTICAL ACTIVITY | |
VII ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL | |
XI CRITIQUE OF AESTHETIC HEDONISM | |
XII THE AESTHETIC OF THE SYMPATHETIC AND PSEUDOAESTHETIC CONCEPTS | |
XIII THE SOCALLED PHYSICALLY BEAUTIFUL IN NATURE AND ART | |
XIV MISTAKES ARISING FROM THE CONFUSION BETWEEN PHYSIC AND AESTHETIC | |
XV THE ACTIVITY OF EXTERNALIZATION TECHNIQUE AND THE THEORY OF THE ARTS | |
XVI TASTE AND THE REPRODUCTION OF ART | |
XVII THE HISTORY OF LITERATURE AND ART | |
XVIII CONCLUSION IDENTITY OF LINGUISTIC AND AESTHETIC | |
VIII EXCLUSION OF OTHER SPIRITUAL FORMS | |
IX INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC | |
X AESTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE UGLY AND THE BEAUTIFUL | |
HISTORICAL SUMMARY | |
APPENDIX | |
Altre edizioni - Visualizza tutto
Aesthetic As Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2018 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2015 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Anteprima non disponibile - 2017 |
Parole e frasi comuni
abstract action admit aesthetic activity aesthetic fact aestheticians affirmation already altogether appear Aristotle artistic and literary associationism Baumgarten beautiful Benedetto Croce called century colours comic complete concept concrete confusion consciousness criticism Critique Critique of Judgment Croce definition distinction doctrine economic empirical empiricism error ethical exist expression external fancy feeling genius hedonism hedonistic Hegel Herbart Hippias major human ideal ideas imagination imitation impressions individual intellectual intellectualist intuitive knowledge Italian judgment Kant knowledge language laws Leibnitz less Linguistic logical looked lyric means metaphysical moral natural sciences Neo-platonism noumenon object painting perfect philosophy physical Plato pleasure Plotinus poet poetic poetry possess practical activity problem production propositions psychology pure intuition reality reason represent representation reproduction Sanctis Schelling Schleiermacher Schopenhauer scientific sensation sense Solger soul spirit spiritual activity taste theoretic things thought true truth ugly unity universal Vico Winckelmann word writers