The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America

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Macmillan, 3 feb 2009 - 434 pagine

In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history.

"Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-)

"Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times

"A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today

"Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday

"To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune

"A vivid and engaging book."--Louis Menand,The New Yorker

"David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ

"Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice

"Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times

"A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London)




David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.

Dall'interno del libro

Sommario

Prologue
9
Society Iss Nix
9
It Was Work
32
Crime Pays
53
Youth in Crisis
71
Puddles of Blood
92
Then Let Us Commit Them
112
Woofer and Tweeter
132
The Triumph of Dr Payn
228
What Are We Afraid Of?
245
Weve Had It
274
Murphys Law
305
Out of the Frying Pan and into the Soup
319
Epilogue
331
Appendix
337
Notes
353

LoveLOVELOVE
154
New Trend
175
Humor in a Jugular Vein
193
Panic
209
Bibliography
407
Acknowledgments
413
Index
417
Copyright

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Informazioni sull'autore (2009)

David Hajdu is the author of the award-winning "Lush Life: A Biography of Billy Strayhorn" (FSG, 1996, North Point Press, 1997). Lately he has written for "The New York Times Magazine", "The New York Review of Books"; & "Vanity Fair". He lives in New York City.

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