Milton and the BaroqueMacmillan, 1980 - 192 pagine |
Sommario
The Arch Antagonist | 50 |
Corporal Forms | 80 |
The War in Heaven | 116 |
Copyright | |
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achieved Adam Alte Pinakothek angels appear Arch Antagonist architecture argued attempt authorial baroque art baroque artist baroque mode battle become Bernini biblical bright C. S. Lewis Catholic celestial central century challenge Christian classical concept conflict contemporary contrast Copernican Copernicus cornice cosmic cosmos Counter-Reformation created creation creatures criticism darkness depiction divine E. M. W. Tillyard earlier earth effect epic fall forces frescoes God's heaven heavenly Hell heroic human Il Gesù imaginatively immense impressive infinite infinity John Donne light literary London man's mannerist medieval Milton moral narrator Neoplatonic offers Omnipotent painting Paradise Lost passage physical Pietro da Cortona planets poem poet poetic poetry present Protestant Puritan purpose Raphael reader rebel rebellion recognised religious Renaissance Rubens Satan scene sense setting sphere spirits splendour stars struggle suggest theme theological theory thir thou throne titanomachy tradition universe vast verse vigour vision visual