Architecture and Its Interpretation: A Study of Expressive Systems in Architecture |
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Pagina 184
In 1954, Banham reported that: The term Expressionist has become a dirty word
in architectural criticism . . . The historical victory has gone to the International
Style, rather than to one of the variant possibilities of the twenties. To Pevsner ...
In 1954, Banham reported that: The term Expressionist has become a dirty word
in architectural criticism . . . The historical victory has gone to the International
Style, rather than to one of the variant possibilities of the twenties. To Pevsner ...
Pagina 198
When Banham wrote his book on the New Brutalism (1966) he recognized Peter
Smithson as being the creator of the style. But the Smithsons politely claim (1973)
that what they called New Brutalism had 'not much to do with the Brutalism that ...
When Banham wrote his book on the New Brutalism (1966) he recognized Peter
Smithson as being the creator of the style. But the Smithsons politely claim (1973)
that what they called New Brutalism had 'not much to do with the Brutalism that ...
Pagina 243
Reviewing Banham's The age of the masters, Eaton wrote in 1976 that it was 'a
real pleasure to read a book on modern architecture that does not discuss the
Barcelona Pavilion'. This comment would have been more cogent fifteen years ...
Reviewing Banham's The age of the masters, Eaton wrote in 1976 that it was 'a
real pleasure to read a book on modern architecture that does not discuss the
Barcelona Pavilion'. This comment would have been more cogent fifteen years ...
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Sommario
Foreword by Geoffrey Broadbent | 7 |
Authors Preface | 9 |
Chapter | 11 |
Copyright | |
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Architecture and its interpretation: a study of expressive systems in ... Juan Pablo Bonta Visualizzazione frammento - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione frammento - 1979 |
Parole e frasi comuni
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque Bauhaus become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural department store discussed emitter example Exhibition experiment Expressionism expressive systems facade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea indicators intentional indexes International Style Jencks language Larkin Administration building material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls writing wrote Zevi