Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
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Pagina 163
... Bauhaus . Mies became the last director of the Bauhaus in 1930 , when he filled the vacancy left by the dismissal of Hannes Meyer . He kept his position until the closure of the school in 1933. Most architectural historians , however ...
... Bauhaus . Mies became the last director of the Bauhaus in 1930 , when he filled the vacancy left by the dismissal of Hannes Meyer . He kept his position until the closure of the school in 1933. Most architectural historians , however ...
Pagina 164
... Bauhaus was presented in a position no less prominent than the ' Gropius Era ' . The new perspective was emphasized in a curious way : it was Bill's and Maldonado's Hochschule für Gestaltung in Ulm which was now ignored , while Moholy ...
... Bauhaus was presented in a position no less prominent than the ' Gropius Era ' . The new perspective was emphasized in a curious way : it was Bill's and Maldonado's Hochschule für Gestaltung in Ulm which was now ignored , while Moholy ...
Pagina 167
... Bauhaus architecture . And yet , the mem- bers of the Bauhaus and the De Stijl group were philosophically opposed on many issues , and personally antagonistic : van Doesburg was in- terested in becoming a professor at the Bauhaus , and ...
... Bauhaus architecture . And yet , the mem- bers of the Bauhaus and the De Stijl group were philosophically opposed on many issues , and personally antagonistic : van Doesburg was in- terested in becoming a professor at the Bauhaus , and ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation according architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding perceived Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi