Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 16
... tried in every way , and yet I cannot see that they have 3 Gollins Melvin Ward Partnership : University of Sheffield . 2 Leicester University Engineering Building : detail of the low workshop range 4 I. M. Pei & Partners ( Henry N. Cobb.
... tried in every way , and yet I cannot see that they have 3 Gollins Melvin Ward Partnership : University of Sheffield . 2 Leicester University Engineering Building : detail of the low workshop range 4 I. M. Pei & Partners ( Henry N. Cobb.
Pagina 19
... I. M. Pei and associates ( 4 ) , the architectural critic of The New York Times wrote recently : The all - glass skyscraper is a form that has , appropriately , been called into question of late for social and economic reasons ; it is ...
... I. M. Pei and associates ( 4 ) , the architectural critic of The New York Times wrote recently : The all - glass skyscraper is a form that has , appropriately , been called into question of late for social and economic reasons ; it is ...
Pagina 231
... I. M. Pei , C. F. Murphy - not to mention Bruno Conterato and his partners , who were operating until very recently under the name of ' The Office of Mies van der Rohe ' - were all represented as developers of the ideas of Mies . Their ...
... I. M. Pei , C. F. Murphy - not to mention Bruno Conterato and his partners , who were operating until very recently under the name of ' The Office of Mies van der Rohe ' - were all represented as developers of the ideas of Mies . Their ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote