Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 64
... Stijl or L'Esprit Nouveau . But the detachment and rigour that is to be expected from these sources is not greater than that which is necessary for accomplishing their purposes . Chapter 2 : Experimental aesthetics and scholarly ...
... Stijl or L'Esprit Nouveau . But the detachment and rigour that is to be expected from these sources is not greater than that which is necessary for accomplishing their purposes . Chapter 2 : Experimental aesthetics and scholarly ...
Pagina 164
... Stijl . Is this classification stylistic or historical ? If stylistic , it must be substantiated on grounds of formal characteristics supposedly shared by the Pavilion with the rest of the Bauhaus's architectural production . If ...
... Stijl . Is this classification stylistic or historical ? If stylistic , it must be substantiated on grounds of formal characteristics supposedly shared by the Pavilion with the rest of the Bauhaus's architectural production . If ...
Pagina 167
... Stijl group were philosophically opposed on many issues , and personally antagonistic : van Doesburg was in- terested in becoming a professor at the Bauhaus , and he probably had the support of Meyer , but Gropius strongly opposed his ...
... Stijl group were philosophically opposed on many issues , and personally antagonistic : van Doesburg was in- terested in becoming a professor at the Bauhaus , and he probably had the support of Meyer , but Gropius strongly opposed his ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation according architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding perceived Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi