Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 177
... considered most significant in the last one hundred years of American architecture ( Shear , 1956-7 ) . This time , Falling Water tied for first place among houses , and the Folger Library was not even listed among the fifty buildings ...
... considered most significant in the last one hundred years of American architecture ( Shear , 1956-7 ) . This time , Falling Water tied for first place among houses , and the Folger Library was not even listed among the fifty buildings ...
Pagina 197
... considered to be ' latently ' Gothic - and it was presented as a Northern European reaction to Mediterranean , Classical values . Gothicism was seen as the result of a peculiar ' will of form ' , which resulted from the psychological ...
... considered to be ' latently ' Gothic - and it was presented as a Northern European reaction to Mediterranean , Classical values . Gothicism was seen as the result of a peculiar ' will of form ' , which resulted from the psychological ...
Pagina 238
... considered that Sullivan did not wish to emphasize structure in the façade . Most critics considered the ornament of the façade to be related to Art Nouveau ; Giedion ( 1942 ) wrote that the design of the ornament was not influenced by ...
... considered that Sullivan did not wish to emphasize structure in the façade . Most critics considered the ornament of the façade to be related to Art Nouveau ; Giedion ( 1942 ) wrote that the design of the ornament was not influenced by ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation according architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding perceived Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi