Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 68
... experiment not only on the basis of representational content but also on other , more pictorial qualities , such as colouring , drawing , and shape . This does not follow , however , from the evidence presented . ) Next the ...
... experiment not only on the basis of representational content but also on other , more pictorial qualities , such as colouring , drawing , and shape . This does not follow , however , from the evidence presented . ) Next the ...
Pagina 86
... experiment was restricted to only a handful of carefully picked paintings . Their selection determined the position of each of the paintings within the system , and thus it influenced the results of the experiment in a way which escaped ...
... experiment was restricted to only a handful of carefully picked paintings . Their selection determined the position of each of the paintings within the system , and thus it influenced the results of the experiment in a way which escaped ...
Pagina 117
... experiment would not allow subjects to consider other buildings or other meanings . This would be an example of a closed expressive system - similar from this point of view to the system of the MS experiment . When historians or critics ...
... experiment would not allow subjects to consider other buildings or other meanings . This would be an example of a closed expressive system - similar from this point of view to the system of the MS experiment . When historians or critics ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote