Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 100
... façade was predominantly horizontal . Some of the critics considered that horizontality dominated : The emphasized horizontalism [ of the façade ] derived from the continuous bands of spandrels between long rows of broad windows ...
... façade was predominantly horizontal . Some of the critics considered that horizontality dominated : The emphasized horizontalism [ of the façade ] derived from the continuous bands of spandrels between long rows of broad windows ...
Pagina 105
... façade as predominantly horizontal were comparing the CPS department store to other Sullivan buildings from the immediately preceding years such as the Wainwright Building in St Louis , Mo. ( 1890-1 ) ( 68 ) , and the Guaranty Building ...
... façade as predominantly horizontal were comparing the CPS department store to other Sullivan buildings from the immediately preceding years such as the Wainwright Building in St Louis , Mo. ( 1890-1 ) ( 68 ) , and the Guaranty Building ...
Pagina 238
A Study of Expressive Systems in Architecture Juan Pablo Bonta. façade ; Hilberseimer ( 1964 ) , on the contrary , considered that Sullivan did not wish to emphasize structure in the façade . Most critics considered the ornament of the ...
A Study of Expressive Systems in Architecture Juan Pablo Bonta. façade ; Hilberseimer ( 1964 ) , on the contrary , considered that Sullivan did not wish to emphasize structure in the façade . Most critics considered the ornament of the ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote