Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 64
... fact that the architects discussed in this section ( and many others ) took advantage of the winds of freedom that started blowing as a consequence , among other causes , of semiotic research . Architects will not only use semiotic or ...
... fact that the architects discussed in this section ( and many others ) took advantage of the winds of freedom that started blowing as a consequence , among other causes , of semiotic research . Architects will not only use semiotic or ...
Pagina 119
... fact remains , however , that the book only deals with a rather unique group of architects - Venturi , Moore , the New York Five and a handful of their followers – whose work , no matter how provocative , can hardly be presented as ' a ...
... fact remains , however , that the book only deals with a rather unique group of architects - Venturi , Moore , the New York Five and a handful of their followers – whose work , no matter how provocative , can hardly be presented as ' a ...
Pagina 190
... fact the first floor plan ... The upper floor can be opened into one clear space , closed into five individual rooms , or left in a variety of states in between . It is , in fact , the first cybernetic house plan to be built in Western ...
... fact the first floor plan ... The upper floor can be opened into one clear space , closed into five individual rooms , or left in a variety of states in between . It is , in fact , the first cybernetic house plan to be built in Western ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote