Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 100
... horizontal windows with the unbroken white bands which separate them horizontally would no doubt be misdated by nearly everybody . The clear implication ... horizontal arrangement 100 'Horizontal' and 'vertical' as positions within a system.
... horizontal windows with the unbroken white bands which separate them horizontally would no doubt be misdated by nearly everybody . The clear implication ... horizontal arrangement 100 'Horizontal' and 'vertical' as positions within a system.
Pagina 103
... horizontal and vertical elements : Neither horizontality nor verticality is emphasized ( Fitch , 1948 ) . Neither horizontal nor vertical lines are emphasized ( Watterson , 1950 ) . Not only the horizontalist prejudice is here ...
... horizontal and vertical elements : Neither horizontality nor verticality is emphasized ( Fitch , 1948 ) . Neither horizontal nor vertical lines are emphasized ( Watterson , 1950 ) . Not only the horizontalist prejudice is here ...
Pagina 105
... horizontal spandrels were in- terrupted . The arrangement of the CPS façade was exactly the opposite ( continuous horizontal spandrels and interrupted mullions ) - except for the rounded pavilion at the corner . For future reference ...
... horizontal spandrels were in- terrupted . The arrangement of the CPS façade was exactly the opposite ( continuous horizontal spandrels and interrupted mullions ) - except for the rounded pavilion at the corner . For future reference ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote