Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 23
... Language is the material of literature as stones or bronze is of sculpture , paints of pictures , or sounds of music . But one should realize that language is not mere inert matter like stone but itself a creation of man and thus ...
... Language is the material of literature as stones or bronze is of sculpture , paints of pictures , or sounds of music . But one should realize that language is not mere inert matter like stone but itself a creation of man and thus ...
Pagina 63
... language , it is necessary to destroy it . When there is none , it is necessary to make one . The apparent absurdity of this situation can only be resolved if we acknowledge that architectural language – conceived exclusively as a ...
... language , it is necessary to destroy it . When there is none , it is necessary to make one . The apparent absurdity of this situation can only be resolved if we acknowledge that architectural language – conceived exclusively as a ...
Pagina 88
... language to interpret artistic meaning . He knows no limits to the varieties and shades of meaning he can describe , other than the very limits of verbal language . But verbal in- terpretations are difficult to quantify or to deal with ...
... language to interpret artistic meaning . He knows no limits to the varieties and shades of meaning he can describe , other than the very limits of verbal language . But verbal in- terpretations are difficult to quantify or to deal with ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation according architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding perceived Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi