Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 23
... materials of painting are not paints , those of music are not sounds , those of architecture are not stones , any more than the material of literature is ink . The materials of these arts are not inert matter but the creation of man ...
... materials of painting are not paints , those of music are not sounds , those of architecture are not stones , any more than the material of literature is ink . The materials of these arts are not inert matter but the creation of man ...
Pagina 44
... materials and the tasks ' , the ' essential shapes of the objects arising from their work performance ' , the ... material ' . Despite what the designers themselves believed , their shapes could not possibly be determined by pure ...
... materials and the tasks ' , the ' essential shapes of the objects arising from their work performance ' , the ... material ' . Despite what the designers themselves believed , their shapes could not possibly be determined by pure ...
Pagina 141
... materials in each of the planar elements is more noticeable because there is a change of material from one element to the other . As pointed out in chapter 3 , for forms to become fully meaningful they must not be interpreted one - by ...
... materials in each of the planar elements is more noticeable because there is a change of material from one element to the other . As pointed out in chapter 3 , for forms to become fully meaningful they must not be interpreted one - by ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation according architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding perceived Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi