Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 68
... painting ' signified and exemplified the corresponding value ' . The paintings were : A Sunday afternoon on the Island of La Grande Jatte ( Seurat ) The Peasant Wedding ( Bruegel ) The Tragedy ( Picasso ) Wivenhoe Park , Essex ...
... painting ' signified and exemplified the corresponding value ' . The paintings were : A Sunday afternoon on the Island of La Grande Jatte ( Seurat ) The Peasant Wedding ( Bruegel ) The Tragedy ( Picasso ) Wivenhoe Park , Essex ...
Pagina 69
... painting in these terms : The world that Seurat depicted is a completely rigid one . The human figure is like a piece on a chessboard moved by the designer and without a will of its own . He has no contact with his neighbour , he is not ...
... painting in these terms : The world that Seurat depicted is a completely rigid one . The human figure is like a piece on a chessboard moved by the designer and without a will of its own . He has no contact with his neighbour , he is not ...
Pagina 79
... painted in 1928 a canvas which he called Calm ( ' Ruhe ' ) . The title suggested that the artist intended to convey a feeling of calm or repose . But the painting was in fact a rather restless composition of triangles , rectangles ...
... painted in 1928 a canvas which he called Calm ( ' Ruhe ' ) . The title suggested that the artist intended to convey a feeling of calm or repose . But the painting was in fact a rather restless composition of triangles , rectangles ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
1960 canonical interpretation according architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal idea indicators intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding perceived Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi