Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 68
... painting ' signified and exemplified the corresponding value ' . The paintings were : A Sunday afternoon on the Island of La Grande Jatte ( Seurat ) The Peasant Wedding ( Bruegel ) The Tragedy ( Picasso ) Wivenhoe Park , Essex ...
... painting ' signified and exemplified the corresponding value ' . The paintings were : A Sunday afternoon on the Island of La Grande Jatte ( Seurat ) The Peasant Wedding ( Bruegel ) The Tragedy ( Picasso ) Wivenhoe Park , Essex ...
Pagina 69
... painting in these terms : The world that Seurat depicted is a completely rigid one . The human figure is like a piece on a chessboard moved by the designer and without a will of its own . He has no contact with his neighbour , he is not ...
... painting in these terms : The world that Seurat depicted is a completely rigid one . The human figure is like a piece on a chessboard moved by the designer and without a will of its own . He has no contact with his neighbour , he is not ...
Pagina 79
... painted in 1928 a canvas which he called Calm ( ' Ruhe ' ) . The title suggested that the artist intended to convey a feeling of calm or repose . But the painting was in fact a rather restless composition of triangles , rectangles ...
... painted in 1928 a canvas which he called Calm ( ' Ruhe ' ) . The title suggested that the artist intended to convey a feeling of calm or repose . But the painting was in fact a rather restless composition of triangles , rectangles ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote