Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 146
... photographs and plans as a substitute for direct perception of buildings . Kidder Smith proudly announced that he had personally evaluated , on the spot , every building included in his Pictorial history of architecture in America ...
... photographs and plans as a substitute for direct perception of buildings . Kidder Smith proudly announced that he had personally evaluated , on the spot , every building included in his Pictorial history of architecture in America ...
Pagina 204
... photographs ? ) In fact , it was Quantrill ( 1974 ) who noted that he had never seen a photograph of the Pavilion with people . At that point , we realized that none of us had . There are no published photographs of the Pavilion with ...
... photographs ? ) In fact , it was Quantrill ( 1974 ) who noted that he had never seen a photograph of the Pavilion with people . At that point , we realized that none of us had . There are no published photographs of the Pavilion with ...
Pagina 224
... photographs the architects selected for distribution ( in the case of Mies , one could compare the photographs distributed with some of Mies's rejects kept in the files of the Museum of Modern Art ) and then , which photographs were ...
... photographs the architects selected for distribution ( in the case of Mies , one could compare the photographs distributed with some of Mies's rejects kept in the files of the Museum of Modern Art ) and then , which photographs were ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote