Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 154
... relationship in each case is the task of criticism . Most critics would agree that Mies's occasional aphorisms were more related to his architecture than Le Corbusier's more abundant literature was to his . Turning to the second issue ...
... relationship in each case is the task of criticism . Most critics would agree that Mies's occasional aphorisms were more related to his architecture than Le Corbusier's more abundant literature was to his . Turning to the second issue ...
Pagina 164
... relationship with De Stijl . Is this classification stylistic or historical ? If stylistic , it must be substantiated on grounds of formal characteristics supposedly shared by the Pavilion with the rest of the Bauhaus's architectural ...
... relationship with De Stijl . Is this classification stylistic or historical ? If stylistic , it must be substantiated on grounds of formal characteristics supposedly shared by the Pavilion with the rest of the Bauhaus's architectural ...
Pagina 213
... relationships , but that the relationship must be extended to include , at least , three ele- ments : form , meaning and interpreter . Koenig's writing is rich in semiotic implications , but he did not propose a complete semiotic ...
... relationships , but that the relationship must be extended to include , at least , three ele- ments : form , meaning and interpreter . Koenig's writing is rich in semiotic implications , but he did not propose a complete semiotic ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote