Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 88
... semantic differen- tial scales ( built upon a series of words , usually a few adjectives ) and so on . Moreover , the ' ways to live ' themselves and the language used by Morris and Sciadini to describe them did not result from the ...
... semantic differen- tial scales ( built upon a series of words , usually a few adjectives ) and so on . Moreover , the ' ways to live ' themselves and the language used by Morris and Sciadini to describe them did not result from the ...
Pagina 236
... semantic differentials in appraising architecture . Semantic differentials completely dominated the 1973 Lund Congress of Architectural Psychology , with only one lone dissenter , according to one of the participants ( Hawkes , 1973 ) ...
... semantic differentials in appraising architecture . Semantic differentials completely dominated the 1973 Lund Congress of Architectural Psychology , with only one lone dissenter , according to one of the participants ( Hawkes , 1973 ) ...
Pagina 245
... semantic fields . This may also be true about the history of architecture : semantic poles ( such as horizontal / vertical , ornamented / unornamented , continuous / discontinuous , Classical / anti - Classical ) appear and disappear ...
... semantic fields . This may also be true about the history of architecture : semantic poles ( such as horizontal / vertical , ornamented / unornamented , continuous / discontinuous , Classical / anti - Classical ) appear and disappear ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote