Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 103
... structure architecturally by making beams and columns equal elements . He did not wish to emphasize structure ( Hilberseimer , 1956 ) . Here the internal honeycomb structure was allowed to appear on the outside as well , without any ...
... structure architecturally by making beams and columns equal elements . He did not wish to emphasize structure ( Hilberseimer , 1956 ) . Here the internal honeycomb structure was allowed to appear on the outside as well , without any ...
Pagina 181
... structure is raised to a perfect work of art . With it a new period of architecture began . Materials , structure , space and the restless need for metaphysical security are here made one . It is quite mysterious what restless need for ...
... structure is raised to a perfect work of art . With it a new period of architecture began . Materials , structure , space and the restless need for metaphysical security are here made one . It is quite mysterious what restless need for ...
Pagina 212
... structure of their architectural image : Because of his stubborn obstinacy toward the few things in which he really believed , Mies went through Expressionism , Sachlichkeit and Nazism without being affected by any of them . He designed ...
... structure of their architectural image : Because of his stubborn obstinacy toward the few things in which he really believed , Mies went through Expressionism , Sachlichkeit and Nazism without being affected by any of them . He designed ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote