Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 159
... stylistic classifications sometimes appear inter - mingled . This may generate confusion . For example , there is ... stylistic or historical is equally important in the case of the Barcelona Pavilion . For example : was the class ...
... stylistic classifications sometimes appear inter - mingled . This may generate confusion . For example , there is ... stylistic or historical is equally important in the case of the Barcelona Pavilion . For example : was the class ...
Pagina 164
... stylistic or historical ? If stylistic , it must be substantiated on grounds of formal characteristics supposedly shared by the Pavilion with the rest of the Bauhaus's architectural production . If historical , it must be primarily ...
... stylistic or historical ? If stylistic , it must be substantiated on grounds of formal characteristics supposedly shared by the Pavilion with the rest of the Bauhaus's architectural production . If historical , it must be primarily ...
Pagina 242
... stylistic approach ( d'Ors ) . But Wölfflin ( 1888 ) , who was among the first to analyse and interpret the Baroque style , gave to Baroque both a stylistic and a chronological meaning . Lyttleton ( 1974 ) recently insisted on the ...
... stylistic approach ( d'Ors ) . But Wölfflin ( 1888 ) , who was among the first to analyse and interpret the Baroque style , gave to Baroque both a stylistic and a chronological meaning . Lyttleton ( 1974 ) recently insisted on the ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote