Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 125
... typological systems is tenuous . System II ( CPS / Schocken ) was presented as being typological . This is correct , if the interest of the interpreter is centred on the issues mentioned above . But a historian who is focusing his ...
... typological systems is tenuous . System II ( CPS / Schocken ) was presented as being typological . This is correct , if the interest of the interpreter is centred on the issues mentioned above . But a historian who is focusing his ...
Pagina 127
... typological principles exist , they should be valid in the architecture of all epochs.3 But mid - twentieth - century studies on building types tended to con- centrate only on recent examples as if their newness made them different and ...
... typological principles exist , they should be valid in the architecture of all epochs.3 But mid - twentieth - century studies on building types tended to con- centrate only on recent examples as if their newness made them different and ...
Pagina 128
... typological and historical views of expressive systems are difficult to reconcile , for they respond to conflicting philosophical positions . Either history is seen as subordinate to typology , or typology is seen as subordinate to ...
... typological and historical views of expressive systems are difficult to reconcile , for they respond to conflicting philosophical positions . Either history is seen as subordinate to typology , or typology is seen as subordinate to ...
Sommario
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Copyright | |
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Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Architecture and Its Interpretation: A Study of Expressive Systems in ... Juan Pablo Bonta Visualizzazione estratti - 1979 |
Parole e frasi comuni
accepted according American analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements entire environment example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object original painting Pevsner photographs physical position possible presented problem published recent reference reflected regard relationship represented responses result seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote