Aesthetic as Science of Expression and General LinguisticNoonday Press, 1960 - 503 pagine |
Dall'interno del libro
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Pagina 136
... Italian literature at the end of the sixteenth century consist ? Simply in having nothing more to say and in repeating and exaggerating motives already discovered . If the Italians of this period had even been able to express their own ...
... Italian literature at the end of the sixteenth century consist ? Simply in having nothing more to say and in repeating and exaggerating motives already discovered . If the Italians of this period had even been able to express their own ...
Pagina 199
... Italian Ettori thinks that it " " " " may generally be described as judgement regulated by art , " , " and Baruffaldi ( 1710 ) identifies it with " dis- cernment " reduced from theory to practice . De Crousaz ( 1715 ) observes : " Le ...
... Italian Ettori thinks that it " " " " may generally be described as judgement regulated by art , " , " and Baruffaldi ( 1710 ) identifies it with " dis- cernment " reduced from theory to practice . De Crousaz ( 1715 ) observes : " Le ...
Pagina 353
... Italian able to shake off the fetters of the old doctrines ( although the latter , in his later writings , was in several ways an innovator in literary criticism ) , many treatises and essays on Esthetic were published during the ...
... Italian able to shake off the fetters of the old doctrines ( although the latter , in his later writings , was in several ways an innovator in literary criticism ) , many treatises and essays on Esthetic were published during the ...
Altre edizioni - Visualizza tutto
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1964 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Baumgarten called century character cognition colours comic concept concrete confused connexion consciousness criticism Critique of Judgment Danzel definition distinction doctrine element empirical error Esthetic ethical exist expression external faculty feeling figurative arts genius hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language Leibniz Linguistic literary logical matter means metaphysical moral Naples natural beauty object observations Patrizzi perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Schelling Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer words writers