Aesthetic as Science of Expression and General LinguisticNoonday Press, 1960 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 90
... sublime ( or comic , tragic , humor- ous , etc. ) is everything that is or shall be so called by those who have employed or shall employ these words . What is the sublime ? The unexpected affirmation of an overwhelming moral force that ...
... sublime ( or comic , tragic , humor- ous , etc. ) is everything that is or shall be so called by those who have employed or shall employ these words . What is the sublime ? The unexpected affirmation of an overwhelming moral force that ...
Pagina 345
... sublime and deducing them from a single concept ? Apparently not . By his declaration that the principle of beauty must be sought outside ourselves , and that of the sublime within us , he tacitly assumes that the two objects are wholly ...
... sublime and deducing them from a single concept ? Apparently not . By his declaration that the principle of beauty must be sought outside ourselves , and that of the sublime within us , he tacitly assumes that the two objects are wholly ...
Pagina 346
... sublime is the infinite in the finite , and the beautiful the finite in the infinite , adding that the absolutely sublime includes the beautiful , and the beauti- ful the sublime ; 2 and Ast , whom we have mentioned already , spoke of a ...
... sublime is the infinite in the finite , and the beautiful the finite in the infinite , adding that the absolutely sublime includes the beautiful , and the beauti- ful the sublime ; 2 and Ast , whom we have mentioned already , spoke of a ...
Altre edizioni - Visualizza tutto
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1964 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Baumgarten called century character cognition colours comic concept concrete confused connexion consciousness criticism Critique of Judgment Danzel definition distinction doctrine element empirical error Esthetic ethical exist expression external faculty feeling figurative arts genius hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language Leibniz Linguistic literary logical matter means metaphysical moral Naples natural beauty object observations Patrizzi perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Schelling Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer words writers