Aesthetic as Science of Expression and General LinguisticNoonday Press, 1960 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 102
... tion from arising . How ? by simply making the destina- tion of the object which serves a practical end enter as material into his æsthetic intuition and externalization . He will not need to add anything to the object , in order to ...
... tion from arising . How ? by simply making the destina- tion of the object which serves a practical end enter as material into his æsthetic intuition and externalization . He will not need to add anything to the object , in order to ...
Pagina 317
... tion ; it belongs equally to those activities developing essentially within themselves and not completing them- selves in any external world . Art , therefore , is an immanent activity in which we presuppose differentia- tion ...
... tion ; it belongs equally to those activities developing essentially within themselves and not completing them- selves in any external world . Art , therefore , is an immanent activity in which we presuppose differentia- tion ...
Pagina 320
... tion no less than in its physical . Every human face contains elements of disfigurement ( Verbildung ) , but it has also something by which it is a determinate modifica- tion of human nature ; this does not appear openly , but a ...
... tion no less than in its physical . Every human face contains elements of disfigurement ( Verbildung ) , but it has also something by which it is a determinate modifica- tion of human nature ; this does not appear openly , but a ...
Altre edizioni - Visualizza tutto
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1964 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Baumgarten called century character cognition colours comic concept concrete confused connexion consciousness criticism Critique of Judgment Danzel definition distinction doctrine element empirical error Esthetic ethical exist expression external faculty feeling figurative arts genius hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language Leibniz Linguistic literary logical matter means metaphysical moral Naples natural beauty object observations Patrizzi perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Schelling Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer words writers