Aesthetic as Science of Expression and General LinguisticNoonday Press, 1960 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 20
... unity , or , what amounts to the same thing , unity in variety . Expression is a synthesis of the various , or multiple , in the one . The fact that we divide a work of art into parts , a poem into scenes , episodes , similes ...
... unity , or , what amounts to the same thing , unity in variety . Expression is a synthesis of the various , or multiple , in the one . The fact that we divide a work of art into parts , a poem into scenes , episodes , similes ...
Pagina 150
... unity , arises from the superstition of a rationalistic measure of the beauti- ful , from that concept which we have called false æsthetic absoluteness . In Italy we call this the question of the unity of the language . Language is ...
... unity , arises from the superstition of a rationalistic measure of the beauti- ful , from that concept which we have called false æsthetic absoluteness . In Italy we call this the question of the unity of the language . Language is ...
Pagina 262
... unity ; hence the beautiful is " that which exhibits the greatest number of ideas in the shortest time . " Man , to whom it is not permitted to attain ultimate unity , finds in beauty an approximate unity which gives him a pleasure ...
... unity ; hence the beautiful is " that which exhibits the greatest number of ideas in the shortest time . " Man , to whom it is not permitted to attain ultimate unity , finds in beauty an approximate unity which gives him a pleasure ...
Altre edizioni - Visualizza tutto
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1964 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Baumgarten called century character cognition colours comic concept concrete confused connexion consciousness criticism Critique of Judgment Danzel definition distinction doctrine element empirical error Esthetic ethical exist expression external faculty feeling figurative arts genius hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language Leibniz Linguistic literary logical matter means metaphysical moral Naples natural beauty object observations Patrizzi perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reality reason reflexion relation representation Rhetoric Schelling Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer words writers