A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina iv
... Andrew Cecil Bradley , 1909 ; and Science and the Modern World , by Alfred North Whitehead , 1925 . Hogarth Press : " The Relation of the Poet to Day Dreaming , " Volume IV of Collected Papers , by Sigmund Freud , 1925 . Pearn ...
... Andrew Cecil Bradley , 1909 ; and Science and the Modern World , by Alfred North Whitehead , 1925 . Hogarth Press : " The Relation of the Poet to Day Dreaming , " Volume IV of Collected Papers , by Sigmund Freud , 1925 . Pearn ...
Pagina 335
An Anthology Melvin Miller Rader. ANDREW CECIL BRADLEY POETRY FOR POETRY'S SAKE Without aiming here at accuracy , we may say that an actual poem is the ... Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on Poetry.
An Anthology Melvin Miller Rader. ANDREW CECIL BRADLEY POETRY FOR POETRY'S SAKE Without aiming here at accuracy , we may say that an actual poem is the ... Andrew Cecil Bradley: Poetry for Poetry's Sake From Oxford Lectures on Poetry.
Pagina 347
... I agree that the action and characters , as you perhaps conceive them , together with a great deal more , are in the poem . Even then , however , you must not claim to possess all of this kind that is in the poem ; ANDREW CECIL BRADLEY 347.
... I agree that the action and characters , as you perhaps conceive them , together with a great deal more , are in the poem . Even then , however , you must not claim to possess all of this kind that is in the poem ; ANDREW CECIL BRADLEY 347.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words