A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina iv
... Benedetto Croce , 1915 . The Macmillan Company : Esthetic ( second edition ) , by Benedetto Croce , 1922 ; Laughter , by Henri Bergson , 1913 ; Three Lectures on Esthetic , by Bernard Bosanquet , 1915 ; Oxford Lectures on Poetry , by ...
... Benedetto Croce , 1915 . The Macmillan Company : Esthetic ( second edition ) , by Benedetto Croce , 1922 ; Laughter , by Henri Bergson , 1913 ; Three Lectures on Esthetic , by Bernard Bosanquet , 1915 ; Oxford Lectures on Poetry , by ...
Pagina 89
... BENEDETTO CROCE ( 1866-1952 ) , the most famous Italian philosopher of this century , has been especially influential in esthetics . In contending that art is necessarily imagi- native , he is akin to Read and Fry ; in asserting that ...
... BENEDETTO CROCE ( 1866-1952 ) , the most famous Italian philosopher of this century , has been especially influential in esthetics . In contending that art is necessarily imagi- native , he is akin to Read and Fry ; in asserting that ...
Pagina 578
... Croce that communica- tion is essential to art ) . Bergson , Henri , Laughter : An Essay on the Meaning of the Comic ... Benedetto Croce : The Problem of Art and History , London , 1917 . Carritt , E. F. , What is Beauty ?, Oxford , 1932 ...
... Croce that communica- tion is essential to art ) . Bergson , Henri , Laughter : An Essay on the Meaning of the Comic ... Benedetto Croce : The Problem of Art and History , London , 1917 . Carritt , E. F. , What is Beauty ?, Oxford , 1932 ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words