A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 230
... Bosanquet discusses the medium , Prall the abstract sensuous elements , and Hospers , Richards , and Morris discuss expression more broadly , including the ref- erential materials . According to BERNARD BOSANQUET ( 1848-1923 ) , a dis ...
... Bosanquet discusses the medium , Prall the abstract sensuous elements , and Hospers , Richards , and Morris discuss expression more broadly , including the ref- erential materials . According to BERNARD BOSANQUET ( 1848-1923 ) , a dis ...
Pagina 235
An Anthology Melvin Miller Rader. BERNARD BOSANQUET THE ESTHETIC ATTITUDE IN ITS EMBODIMENTS Why are there different arts ? The simple answer to this question takes us , I believe , to the precise root and source of the whole principle ...
An Anthology Melvin Miller Rader. BERNARD BOSANQUET THE ESTHETIC ATTITUDE IN ITS EMBODIMENTS Why are there different arts ? The simple answer to this question takes us , I believe , to the precise root and source of the whole principle ...
Pagina 243
... " the real sting of even the crudest glorification of copying is this wonder that you can carry off with you a thing's soul , and leave its body behind . " the Parthenon . The point of the esthetic attitude lies BERNARD BOSANQUET 243.
... " the real sting of even the crudest glorification of copying is this wonder that you can carry off with you a thing's soul , and leave its body behind . " the Parthenon . The point of the esthetic attitude lies BERNARD BOSANQUET 243.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words