A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina v
... Clive Bell , New Republic , Volume 33 ( 1922 ) . Frederick A. Stokes Company : Art , by Clive Bell , 1913 . Yale University Press : The Analysis of Art , by DeWitt H. Parker , 1926 . University of Chicago Press : Art and the Social ...
... Clive Bell , New Republic , Volume 33 ( 1922 ) . Frederick A. Stokes Company : Art , by Clive Bell , 1913 . Yale University Press : The Analysis of Art , by DeWitt H. Parker , 1926 . University of Chicago Press : Art and the Social ...
Pagina xxx
... Clive Bell : " To create and appreciate the greatest art the most absolute abstraction from the affairs of life is essen- tial . " 15 These statements stand in sharp contrast to such a con- textualist point of view as that expressed by ...
... Clive Bell : " To create and appreciate the greatest art the most absolute abstraction from the affairs of life is essen- tial . " 15 These statements stand in sharp contrast to such a con- textualist point of view as that expressed by ...
Pagina 312
... CLIVE BELL ( 1881- ) , many of whose ideas , incidentally , are shared by Roger Fry.1 Bell agrees with Tolstoy that art is the language of emo- tions , but he thinks that there is a peculiarly esthetic emo- tion , quite different from ...
... CLIVE BELL ( 1881- ) , many of whose ideas , incidentally , are shared by Roger Fry.1 Bell agrees with Tolstoy that art is the language of emo- tions , but he thinks that there is a peculiarly esthetic emo- tion , quite different from ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words