A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina xxxi
... Dionysian moods . In great tragedy , for example , the extreme intensi- fication of emotions , far from excluding a sense of repose , produces the dynamic calmness which Aristotle termed " catharsis . " Likewise , as Freud has pointed ...
... Dionysian moods . In great tragedy , for example , the extreme intensi- fication of emotions , far from excluding a sense of repose , produces the dynamic calmness which Aristotle termed " catharsis . " Likewise , as Freud has pointed ...
Pagina 129
... Dionysian . Apollonian art is similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied espe- cially in sculpture , architecture , painting , and the more ...
... Dionysian . Apollonian art is similar to a dream ( Apollo is the god of dreams ) . Man creates in his waking dreams a world of tranquillity and formal beauty , embodied espe- cially in sculpture , architecture , painting , and the more ...
Pagina 597
... Dionysian art , xxi , 129 appreciations , art as language of ( see also description ) , xv - xix architecture , 30 , 359 , 360 , 362 , 415- 416 aristocratic art , 432-433 , 450 Aristotle , 3-4 , 5 , 15-16 , 17 , 306 , 343 , 401 , 416 ...
... Dionysian art , xxi , 129 appreciations , art as language of ( see also description ) , xv - xix architecture , 30 , 359 , 360 , 362 , 415- 416 aristocratic art , 432-433 , 450 Aristotle , 3-4 , 5 , 15-16 , 17 , 306 , 343 , 401 , 416 ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words