A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 95
... Greek theoreticians and artists fixed for the beauty of bodies , through the speculations as to the geometrical and numerical relations of figures and sounds , down to the researches of the esthet- icians of the nineteenth century ...
... Greek theoreticians and artists fixed for the beauty of bodies , through the speculations as to the geometrical and numerical relations of figures and sounds , down to the researches of the esthet- icians of the nineteenth century ...
Pagina 174
... Greek ) , and partly through their grammatical connection , particularly in analytic languages ( English , Chinese ) ; but chiefly through the " meaning ” as a whole . The manifest content , the literal meaning , the paraphrasable sense ...
... Greek ) , and partly through their grammatical connection , particularly in analytic languages ( English , Chinese ) ; but chiefly through the " meaning ” as a whole . The manifest content , the literal meaning , the paraphrasable sense ...
Pagina 421
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
... Greek mythological sculpture , of early Christian saints and martyrs must be considerably distanced , com- pared with that of the Greek and medieval worshiper . It is in part the result of lapse of time , but in part also a real change ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words