A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 259
... Gurney , are far beside the point . " In seeing what an uninteresting and inconsecutive jumble this really respectable piece of criticism looks , " Gurney remarks , “ . . . we see how impossible it would be for a musician deliberately ...
... Gurney , are far beside the point . " In seeing what an uninteresting and inconsecutive jumble this really respectable piece of criticism looks , " Gurney remarks , “ . . . we see how impossible it would be for a musician deliberately ...
Pagina 269
... Gurney's views . Gurney's theory , he says , would have us believe that while poets and painters make reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and ...
... Gurney's views . Gurney's theory , he says , would have us believe that while poets and painters make reference to the world , composers simply invent sequences of sounds without reference to anything ; we judge some sequences good and ...
Pagina 276
... Gurney , " No matter what features we may decide upon as being connected with expressiveness , there are many musical selections which will not exhibit those features and which we yet perceive as impressive or beautiful . " Or again ...
... Gurney , " No matter what features we may decide upon as being connected with expressiveness , there are many musical selections which will not exhibit those features and which we yet perceive as impressive or beautiful . " Or again ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity appears appreciation artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling give Gurney HERBERT READ HUGO MÜNSTERBERG human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience ROGER FRY scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words