A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina iv
... Herbert Read , 1943 . Chatto and Windus and the author's executors : Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as Experience , by John Dewey , copyright 1934 by John Dewey . The Rice Institute : The Breviary of ...
... Herbert Read , 1943 . Chatto and Windus and the author's executors : Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as Experience , by John Dewey , copyright 1934 by John Dewey . The Rice Institute : The Breviary of ...
Pagina iv
... Herbert Read , 1943 . Chatto and Windus and the author's executors : Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as Experience , by John Dewey , copyright 1934 by John Dewey . The Rice Institute : The Breviary of ...
... Herbert Read , 1943 . Chatto and Windus and the author's executors : Vision and Design , by Roger Fry , 1920 . G. P. Putnam's Sons : Art as Experience , by John Dewey , copyright 1934 by John Dewey . The Rice Institute : The Breviary of ...
Pagina viii
... Herbert Read : The Definition of Art . From Education Through Art 21 3. Roger Fry : An Essay in Esthetics . From Vision and Design 4. John Dewey : Having an Experience . From Art as Ex- perience II . Intuition 1. Benedetto Croce ...
... Herbert Read : The Definition of Art . From Education Through Art 21 3. Roger Fry : An Essay in Esthetics . From Vision and Design 4. John Dewey : Having an Experience . From Art as Ex- perience II . Intuition 1. Benedetto Croce ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words