A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 261
... Hanslick , op . cit . , p . 65. Hanslick illustrates this point in a very masterly fashion on pp . 56-63 , particularly with regard to opera . 8 Gurney , op . cit . , pp . 152-55 , 161-67 . 9 Ibid . , p . 316 . whether or not the ...
... Hanslick , op . cit . , p . 65. Hanslick illustrates this point in a very masterly fashion on pp . 56-63 , particularly with regard to opera . 8 Gurney , op . cit . , pp . 152-55 , 161-67 . 9 Ibid . , p . 316 . whether or not the ...
Pagina 277
... Hanslick say that music has " no meaning " they intend to say that it should have no meaning in the sense of no evoked effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon ...
... Hanslick say that music has " no meaning " they intend to say that it should have no meaning in the sense of no evoked effects , that its effect upon the listener is of no consequence . If it pro- duced no effects of any kind upon ...
Pagina 278
... Hanslick asserts in one place ! ) , but that music has no meaning in the sense of life - meaning ; not that music ... Hanslick and Gurney object to the use of words to describe music , and Sullivan " grants " that they are objectionable ...
... Hanslick asserts in one place ! ) , but that music has no meaning in the sense of life - meaning ; not that music ... Hanslick and Gurney object to the use of words to describe music , and Sullivan " grants " that they are objectionable ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words