A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 19
Pagina v
... I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of the Kenyon Review ...
... I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of the Kenyon Review ...
Pagina 283
An Anthology Melvin Miller Rader. I. A. RICHARDS SCIENCE AND POETRY 1 The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay ...
An Anthology Melvin Miller Rader. I. A. RICHARDS SCIENCE AND POETRY 1 The future of poetry is immense , because in poetry , where it is worthy of its high destinies , our race , as time goes on , will find an ever surer and surer stay ...
Pagina 587
... Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. , “ A Critique of I. A. Richards ' Theory of Language and Literature , " A Theory of Meaning Analyzed , General Semantics Monographs , No. 3 , Chicago ...
... Richards , I. A. , The Meaning of Meaning , New York , 1923 . Pollock , T. C. , “ A Critique of I. A. Richards ' Theory of Language and Literature , " A Theory of Meaning Analyzed , General Semantics Monographs , No. 3 , Chicago ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words