A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina v
... John Hospers , 1946 . I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of ...
... John Hospers , 1946 . I. A. Richards : Science and Poetry , by I. A. Richards , published by W. W. Norton and Company , 1926 , second revised edition , Kegan Paul , Trench , Trubner and Company , 1935 . Charles Morris and the editors of ...
Pagina ix
... John Hospers : Meaning in Music . From Meaning and Truth in the Arts 258 4. I. A. Richards : Science and Poetry . From Science and Poetry 283 5. Charles W. Morris : Science , Art , and Technology . From The Kenyon Review , Vol . 1 ...
... John Hospers : Meaning in Music . From Meaning and Truth in the Arts 258 4. I. A. Richards : Science and Poetry . From Science and Poetry 283 5. Charles W. Morris : Science , Art , and Technology . From The Kenyon Review , Vol . 1 ...
Pagina 258
An Anthology Melvin Miller Rader. JOHN HOSPERS MEANING IN MUSIC § I • • In general , there are two schools of musical meaning , one consisting of the persons who hold either ... John Hospers: Meaning in Music From Meaning Truth in the Arts.
An Anthology Melvin Miller Rader. JOHN HOSPERS MEANING IN MUSIC § I • • In general , there are two schools of musical meaning , one consisting of the persons who hold either ... John Hospers: Meaning in Music From Meaning Truth in the Arts.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words