A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina v
An Anthology Melvin Miller Rader. W. P. Montague and Presses Universitaires de France : " Beauty Is Not All : A Plea ... Melvin Rader , Journal of Philosophy , Volume 44 ( 1947 ) . ( About one third of this article is included in the ...
An Anthology Melvin Miller Rader. W. P. Montague and Presses Universitaires de France : " Beauty Is Not All : A Plea ... Melvin Rader , Journal of Philosophy , Volume 44 ( 1947 ) . ( About one third of this article is included in the ...
Pagina ix
An Anthology Melvin Miller Rader. PART TWO The Work of Art V. Sensuous and Expressive Materials 229 1. Bernard ... Melvin Rader ) 429 4. Wilhelm Worringer : Abstraction and Empathy . From Abstraktion und Einfühlung ( Translated by Bernard ...
An Anthology Melvin Miller Rader. PART TWO The Work of Art V. Sensuous and Expressive Materials 229 1. Bernard ... Melvin Rader ) 429 4. Wilhelm Worringer : Abstraction and Empathy . From Abstraktion und Einfühlung ( Translated by Bernard ...
Pagina 381
An Anthology Melvin Miller Rader. The Esthetic Attitude 1. HUGO MÜNSTERBERG : Connection in Science and Isolation in ... Melvin Rader ) . 4. WILHELM WORRINGER : Abstraction and Empathy . From Ab- straktion und Einfühlung ( Translated by ...
An Anthology Melvin Miller Rader. The Esthetic Attitude 1. HUGO MÜNSTERBERG : Connection in Science and Isolation in ... Melvin Rader ) . 4. WILHELM WORRINGER : Abstraction and Empathy . From Ab- straktion und Einfühlung ( Translated by ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words