A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina vii
... Morris Weitz , and Philip Wheelwright . I am also greatly indebted to Carlos García - Prada and Bernard Freyd for their work as translators , and to Helen Lea for expert typing of the manuscript . University of Washington January 3 ...
... Morris Weitz , and Philip Wheelwright . I am also greatly indebted to Carlos García - Prada and Bernard Freyd for their work as translators , and to Helen Lea for expert typing of the manuscript . University of Washington January 3 ...
Pagina xiii
... Morris Weitz has said , " could be avoided if esthetic labels were not pasted in one piece on esthetic theories but rather were applied separately to dif- ferent views about the various constituents of the esthetic experience . " " 4 ...
... Morris Weitz has said , " could be avoided if esthetic labels were not pasted in one piece on esthetic theories but rather were applied separately to dif- ferent views about the various constituents of the esthetic experience . " " 4 ...
Pagina 587
An Anthology Melvin Miller Rader. Morris , Charles , " Science , Art and Technology , " Kenyon Re- view , Vol . 1 ( 1939 ) ... Weitz , Morris , " Art , Language and Truth , " Philosophy of the Arts , Cambridge , Mass . , 1950 . Wheelwright ...
An Anthology Melvin Miller Rader. Morris , Charles , " Science , Art and Technology , " Kenyon Re- view , Vol . 1 ( 1939 ) ... Weitz , Morris , " Art , Language and Truth , " Philosophy of the Arts , Cambridge , Mass . , 1950 . Wheelwright ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words