A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 44
... R. G. Collingwood , The Principles of Art , Clarendon Press , Oxford , 1938 , pp . 46-50 , and C. J. Ducasse , The Phi- losophy of Art , Dial Press , New York , 1929 , pp . 72-74 . ( Editor's note . ) them , which will at least put them ...
... R. G. Collingwood , The Principles of Art , Clarendon Press , Oxford , 1938 , pp . 46-50 , and C. J. Ducasse , The Phi- losophy of Art , Dial Press , New York , 1929 , pp . 72-74 . ( Editor's note . ) them , which will at least put them ...
Pagina 575
... Collingwood , R. G. , The Principles of Art , Oxford , 1938 , Ch . 3 . Coomaraswamy , Ananda , The Transformation of Nature in Art , Cambridge , 1934 . Cooper , Lane , The Poetics of Aristotle , Its Meaning and In- fluence , New York ...
... Collingwood , R. G. , The Principles of Art , Oxford , 1938 , Ch . 3 . Coomaraswamy , Ananda , The Transformation of Nature in Art , Cambridge , 1934 . Cooper , Lane , The Poetics of Aristotle , Its Meaning and In- fluence , New York ...
Pagina 576
... Collingwood , R. G. , The Principles of Art , Oxford , 1938 , pp . 125-151 , 195-280 . Dessoir , Max , Aesthetik und allgemeine Kunstwissenschaft , Stuttgart , 1923 . Downey , June , Creative Imagination , London , 1929 . Fry , Roger ...
... Collingwood , R. G. , The Principles of Art , Oxford , 1938 , pp . 125-151 , 195-280 . Dessoir , Max , Aesthetik und allgemeine Kunstwissenschaft , Stuttgart , 1923 . Downey , June , Creative Imagination , London , 1929 . Fry , Roger ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words