A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 6
... ROGER FRY ( 1866-1934 ) , the famous English critic , has been similarly concerned with the relation of imagination to the real world . Every man , he believes , lives a kind of double life : an " actual life " determined by practical ...
... ROGER FRY ( 1866-1934 ) , the famous English critic , has been similarly concerned with the relation of imagination to the real world . Every man , he believes , lives a kind of double life : an " actual life " determined by practical ...
Pagina 44
An Anthology Melvin Miller Rader. ROGER FRY AN ESSAY IN ESTHETICS 1 A certain painter , not without some reputation at the present day , once wrote a little book on the art he practices , in which he gave a definition of that art so ...
An Anthology Melvin Miller Rader. ROGER FRY AN ESSAY IN ESTHETICS 1 A certain painter , not without some reputation at the present day , once wrote a little book on the art he practices , in which he gave a definition of that art so ...
Pagina 588
... Roger Fry , " Art and Education , Merion , Pa . , 1929 . Burke , Kenneth , Counter - Statement , New York , 1931 . -- , The Philosophy of Literary Form , Baton Rouge , 1941 . Carpenter , Rhys , The Esthetic Basis of Greek Art of the 5th ...
... Roger Fry , " Art and Education , Merion , Pa . , 1929 . Burke , Kenneth , Counter - Statement , New York , 1931 . -- , The Philosophy of Literary Form , Baton Rouge , 1941 . Carpenter , Rhys , The Esthetic Basis of Greek Art of the 5th ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words