A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina v
... Theodore Meyer Greene , 1940 . Dial Press : The Philosophy of Art , by Curt John Ducasse , 1929 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn Pepper , copyright 1945 by the President and Fellows of ...
... Theodore Meyer Greene , 1940 . Dial Press : The Philosophy of Art , by Curt John Ducasse , 1929 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn Pepper , copyright 1945 by the President and Fellows of ...
Pagina 469
... differ with respect to the question whether esthetic standards are subjective or objective , relative or absolute . Here is a fundamental issue . THEODORE MEYER GREENE THE NATURE AND CRITERIA OF CRITICISM I INTRODUCTORY NOTE 469.
... differ with respect to the question whether esthetic standards are subjective or objective , relative or absolute . Here is a fundamental issue . THEODORE MEYER GREENE THE NATURE AND CRITERIA OF CRITICISM I INTRODUCTORY NOTE 469.
Pagina 599
... Theodore Meyer , xxvi , 466 , 468-469 ; quoted , 470-479 Gurney , Edmund , 233 , 258-264 , 266-270 , 273-281 , 312 ... Theodor , xxxi , 34 , 383-386 , 443-446 , 457-459 ; quoted , 444-446 , 456 , 459 literature ( see also poetry , novel ...
... Theodore Meyer , xxvi , 466 , 468-469 ; quoted , 470-479 Gurney , Edmund , 233 , 258-264 , 266-270 , 273-281 , 312 ... Theodor , xxxi , 34 , 383-386 , 443-446 , 457-459 ; quoted , 444-446 , 456 , 459 literature ( see also poetry , novel ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
23 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words