A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina v
... Vernon Lee , 1913 . Princeton University Press : The Arts and the Art of Criticism , by Theodore Meyer Greene , 1940 . Dial Press : The Philosophy of Art , by Curt John Ducasse , 1929 . Harvard University Press : The Basis of Criticism ...
... Vernon Lee , 1913 . Princeton University Press : The Arts and the Art of Criticism , by Theodore Meyer Greene , 1940 . Dial Press : The Philosophy of Art , by Curt John Ducasse , 1929 . Harvard University Press : The Basis of Criticism ...
Pagina 265
... Vernon Lee reports of the associ- ative type that the answers , " often covering many pages , showed that according to individual cases the ' message ' was principally . . . visual or emotional , abstract or personal , but with many ...
... Vernon Lee reports of the associ- ative type that the answers , " often covering many pages , showed that according to individual cases the ' message ' was principally . . . visual or emotional , abstract or personal , but with many ...
Pagina 460
An Anthology Melvin Miller Rader. VERNON LEE EMPATHY The mountain rises . What do we mean when we em- ploy this form of words ? Some mountains , we are told , have originated in an upheaval . But ... Vernon Lee: Empathy From The Beautiful.
An Anthology Melvin Miller Rader. VERNON LEE EMPATHY The mountain rises . What do we mean when we em- ploy this form of words ? Some mountains , we are told , have originated in an upheaval . But ... Vernon Lee: Empathy From The Beautiful.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words