A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxxiv
... Wilhelm Worringer has shown that the expressiveness even of straight lines or curves largely depends upon such social universality . The conception of art as the expression of values , in which the generic value is given its specific ...
... Wilhelm Worringer has shown that the expressiveness even of straight lines or curves largely depends upon such social universality . The conception of art as the expression of values , in which the generic value is given its specific ...
Pagina 383
... WILHELM WORRINGER ( 1881- ) , an important German art his- torian . Worringer takes as his point of departure the contrast between " abstraction " and " empathy . " First fully described by Theodor Lipps ( 1851-1914 ) , empathy con ...
... WILHELM WORRINGER ( 1881- ) , an important German art his- torian . Worringer takes as his point of departure the contrast between " abstraction " and " empathy . " First fully described by Theodor Lipps ( 1851-1914 ) , empathy con ...
Pagina 447
... not agree with Riegl in all points , he stands on the same ground so far as the method of investigation is concerned , and owes to him the greatest stimulation . art - historical research the concept of the " artistic WILHELM WORRINGER 447.
... not agree with Riegl in all points , he stands on the same ground so far as the method of investigation is concerned , and owes to him the greatest stimulation . art - historical research the concept of the " artistic WILHELM WORRINGER 447.
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words