A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 254
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
... abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become ...
Pagina 256
... abstract aspects of experience in a way that appears at once to be unambiguous and to serve the purposes of the sort of knowledge that we seek by indicating relevant distinctions for esthetics . . . Thus our analytical base is outlined ...
... abstract aspects of experience in a way that appears at once to be unambiguous and to serve the purposes of the sort of knowledge that we seek by indicating relevant distinctions for esthetics . . . Thus our analytical base is outlined ...
Pagina 313
... abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his discussion is of consider- able interest , I quote at some length : " I am persuaded that people can ...
... abstract character of music the very ideal of pure art . But in a later essay he is forced to make exception for literature . Since his discussion is of consider- able interest , I quote at some length : " I am persuaded that people can ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words