A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 53
... action we can give them a new valuation . In real life we must to some extent cultivate those emotions which lead to useful action , and we are bound to appraise emotions according to the result- ant action . So that , for instance ...
... action we can give them a new valuation . In real life we must to some extent cultivate those emotions which lead to useful action , and we are bound to appraise emotions according to the result- ant action . So that , for instance ...
Pagina 66
... action that is dominantly practical , that is , one that consists of overt doings . It is possible to be efficient in action and yet not have a conscious experience . The activity is too automatic to permit of a sense of what it is ...
... action that is dominantly practical , that is , one that consists of overt doings . It is possible to be efficient in action and yet not have a conscious experience . The activity is too automatic to permit of a sense of what it is ...
Pagina 107
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
... action ? And what is the value of this general action if it be not an action of the spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " action ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words