A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 78
Pagina 90
... Activity ( a ) “ Economics , " the pursuit of individual ends . Value : the useful ; disvalue ,. the harmful . ( b ) Ethics , the pursuit of universal ends . Value : the morally good ; disvalue , the mor- ally evil . " 2 These divisions ...
... Activity ( a ) “ Economics , " the pursuit of individual ends . Value : the useful ; disvalue ,. the harmful . ( b ) Ethics , the pursuit of universal ends . Value : the morally good ; disvalue , the mor- ally evil . " 2 These divisions ...
Pagina 444
... activity . But activity is that in which I experience an expenditure of force . This activity is in its nature an activity of will . It is striving or purpose in movement . . . . ' The presupposition of the act of empathy is apperceptive ...
... activity . But activity is that in which I experience an expenditure of force . This activity is in its nature an activity of will . It is striving or purpose in movement . . . . ' The presupposition of the act of empathy is apperceptive ...
Pagina 445
... activity proceeds without inner friction . It is the conscious symptom of the free accord between the outward stimulus and my inner activity . " But in the second case there arises a conflict between my natural effort of self - exercise ...
... activity proceeds without inner friction . It is the conscious symptom of the free accord between the outward stimulus and my inner activity . " But in the second case there arises a conflict between my natural effort of self - exercise ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation Aristotle artist aspect attitude beauty become called character Clive Bell color concrete consciousness contemplation contextualist criticism discourse Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience esthetic value existence expression external reality fact feeling genotype give Gurney HERBERT READ human I. A. Richards ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolationist JOHN HOSPERS judgment kind language latent content live machine manifest content material means Melvin Rader ment merely mind moral nature object objectified organic painting patterns perceived perception person phantasies Philosophy physical picture play pleasure poem poet poetic poetry practical present principle produce psychological pure question relation rhythm rience scientific sensations sense sensuous significance social soul sound super-ego taste THEODORE MEYER theory things tion truth unity Vernon Lee whole WILHELM WORRINGER words